Researchers in Exeter and India have revealed that 17 Indian botanical drawings in RAMM’s collection are by three of the most renowned late 18th-century Indian painters. They are Sheikh Zain al-Din, Bhawani Das and Ram Das.
East India Company’s interest in plants
In the late 18th and early 19th centuries the East India Company controlled much of the Indian subcontinent. Keen to exploit and export valuable natural commodities, the Company set out to record the flora of India. It commissioned Indian artists to create detailed botanical illustrations.
Company School style paintings became popular with wealthy Europeans. It was not uncommon for East India Company officials (who were not employed as medics or botanists) to build their own personal collections of paintings depicting Indian flora and fauna. This collection of 86 works belonged to local botanist Richard Cresswell.
Collaboration between RAMM, the University of Exeter and Kolkata’s majestic Victoria Memorial Hall has enabled experts to study the paintings. Dr Nandini Chatterjee examined the 17 signed works and discovered that previous translation from Bengali to Latin script (by persons unknown) was unhelpful. By tracing the names through various cultural frontiers she revealed the works were by a trio of celebrated artists from Patna. It is not clear who commissioned these works. All three artists were at one point employed by Lady Mary Impey (1749-1818), wife of the Chief Justice of Bengal.
View the paintings
The exquisite paintings in RAMM’s collection can be viewed online. The Tate, Oxford’s Ashmolean Museum and the Metropolitan Museum of Art in New York amongst many others also hold works by Sheikh Zain al-Din, Bhawani Das and Ram Das.
Used in Medicine
Ayurvedic medicine uses many of the plants in Cresswell’s paintings. It is one of the world’s oldest medicinal systems and practised in India for 3,000 years. It uses plants to treat conditions from skin complaints, wounds and stomach ache to internal bleeding, malaria and epilepsy. The East India Company employed Indian doctors to treat its staff during their trips to India. Only seven of the drawings depict people and animals rather than botanical specimens.
Over time the works became damaged. Many suffered surface soiling, creasing, and tears. A £22,000 grant from Arts Council England’s PRISM (Preservation of Industrial and Scientific Material) Fund allowed RAMM to have all 88 works conserved.
Atmospheric pollution also caused discolouration and staining of the colours. Lead white paint was particularly affected. Oxidation caused it to blacken over time. Recently, conservation work reversed these changes and returned the works to their original, stable colours. The image above shows the most severely affected work before (left) and after (right).