unskilled Indian labourer (drawing)
Flower Power: botanical illustrations from IndiaDescriptions
An unskilled Indian labourer was once referred to as cooly or coolie. This painting is part of a collection of Indian drawings depicting Indian plants, people, animals and objects.
This painting is part of local amateur botanist Richard Cresswell’s (1815-1882) collection. It is one of 86 Indian paintings (mostly botanical) and dates to the early 1800s.
Between the late 18th and mid-19th centuries, the British East India Company extended its control over much of the Indian subcontinent. Keen to exploit and export valuable natural commodities, the Company set out to record the flora and fauna of India. It commissioned Indian artists to create detailed illustrations but officials rarely recorded their names. British scientists supervised the work and paper from England, made by companies such as Whatman, was imported for use.
Responding to British patronage, Indian artists developed a new style of painting, mixing Indian and European traditions. This has come to be known as the ‘Company School’ art and these paintings belong to that broad tradition. It was common for officials (who were not employed as medics or botanists) to build their own personal collections of paintings. The flora and fauna depicted was sometimes from their own gardens and menageries.
We cannot be sure how Richard Cresswell came by this collection of Company School works. It is plausible they came to him via his wife’s family. Frances Creighton (1821-1904) was born in Bengal where her father, Robert (1797-1827), was a judge. Research suggests that his father was Henry Creighton (1764-1807). Charles Grant, a senior Company official, appointed Henry manager of an indigo factory at Guamalati. He is best known for his research and paintings on the ruins at Gaur. It is possible Henry commissioned the botanical drawings and they were passed down through the family. However, research has not yet uncovered any evidence for this connection.
17 of the 86 works have attributions on the reverse. These three artists, Sheikh Zain al-din, Ram Das and Bhawani Das, are known to have worked for Lady Mary Impey, wife of Sir Elijah Impey the Chief Justice of the Supreme Court of Calcutta. There is also evidence that they worked for Anna Maria Jones, the wife Sir William Jones, after the Impeys returned to Britain.
Inscription
HERB. MUS. EXON CRESSWELL COLLECTION 19/1927
No 90
A Cooly
This object is not on display.
Leave a comment
Subject to approval, your name and blog comment will be made public. Any comment replies will also be public. Your email address will never be published. If you wish to contact us privately, please use the Contact form.